OMG FASHUN
Sizzle Deck Graphics and Titles
Motion Designer, Title Design
After Effects, Photoshop
OMG FASHUN is a sizzle for Scout Productions for a Fashion show centered around Julia Fox and her trendy, taste making fashion. I began this journey diving myself in the world of Julia Fox. I dug into her social media, followed her media presence, and kept an eye on her iconic moments. With all this in mind, I created motion graphics that brought her unique energy to life. The graphics helped build momentum and excitement around the project to successfully pitch it to the E! network. Along with creating a basis for the official show design.
SLICED
PERSONAL PROJECT
Motion Designer
After Effects, Illustrator, Blender
This 3D Motion Design project was all built from scratch. I started it as a way to dive into the Blender and After Effects pipeline. The idea was to create an edgy pizza delivery company, so I designed everything from the logo to the sound design.
FIRST WOMAN
Sizzle Deck Graphics & Title Design
Motion Designer
After Effects, Illustrator, Photoshop
“First Woman” is a sizzle commissioned by Truant Pictures and produced by Gal Gadot. The documentary follows Christina Koch, the first woman to fly to the moon, and highlights the influential women who have played key roles in our journey to the stars. For this project, I was given a pitch deck to assess the aesthetic, tone, and potential title options for the sizzle. Both graphic cards and title card required several iterations, and were made from original material.
CAPTAIN MORGAN CHILI LIME
Product Reveal Spot
Motion Designer
After Effects, Photoshop
This project was a product reveal campaign for Captain Morgan, designed for multiple social platforms including YouTube, Instagram, and Facebook. I was responsible for greenscreen work, VFX, compositing, and motion design. Working closely with the editing team, I also reformatted dynamic links and exports that were precisely timed and formatted for a several deliverables, aspect ratios, and safety guides.
NAME IMAGE LIKENESS
SMOKEHOUSE | 101 STUDIOS - SIZZLE
Motion Designer
After Effects
I was responsible for creating the graphic package for NIL (Name, Image, Likeness). Drawing inspiration from the mood board and the tone of the edit, I crafted kinetic graphics that maintained the sizzle’s pace while respecting the seriousness of the subject matter. This included lower thirds, 9×16 mortises, full-screen graphic cards, title cards, and a website scroll.
SMIRNOFF SUNNY DAYS
Commercial Reel
Motion Designer. On set GFX
After Effects, PhotoShop, Blender
The ad campaign introducing Smirnoff’s new line of summer themed drinks. I was part of the team that carried this project from preproduction through to final delivery. I contributed temp visuals for the pitch deck early on, helping shape the creative ahead of the greenlight. On set, I managed background slates, supported color prep, and handled playback. In post, I played a key role across look development, roto, 3D/VFX compositing, and preparing final deliverables for multiple formats.
QDOBA
Motion Design Ad
Motion Designer
After Effects, Illustrator
For this project, I was provided with Qdoba’s social media handle, their current stills, and a brief for the copy. Using these materials, I story boarded, conceptualized, animated, and edited a new social ad that ties in with their brand. The result is a fun, engaging piece designed to drive visual interest with their audience.
HELZBERG
Commercial Spot
Motion Designer, VFX Supervisor, VFX, Compositing
After Effects, Illustrator, Photoshop, Cinema 4D
This project was a big shift. I started on as VFX Supervisor, focused on bridging the gap between 2D/3D motion graphics and live-action footage. I was on set, working closely with the crew and using my background in motion design and compositing to help plan for what we’d need in post. During pre-production, I developed initial looks for the motion graphics and holograms, which helped set the visual direction. I worked with a team to bring elements to life(literally) and merged them into the footage. After the shoot, I was part of a small post team handling compositing, tracking, and replacements across a five-part series. It was an amazing process that pushed both the creative and technical sides of my work.
MINEOLA
Educational Content
Motion Designer
After Effects, Illustrator, Blender, Photoshop
Mineola is a school district in New York and working with them has been one of the most meaningful parts of what I do. Every time I make a video for them I push myself to go further because this content really matters to me. The work Mineola puts out is all about educating and supporting kids and their families and it has a real positive impact on the community.
As a designer my goal has always been to create something that inspires people just like the kind of media that inspired me growing up. This project hits close to home and reflects a lot of what I care about. I’ve included a few episodes here from the series I’ve helped create with the district.
HARMLESS HARVEST
Social Reel
Motion Designer
After Effects, Illustrator, Photoshop
I created a fun, high-energy social media reel for Harmless Harvest, handling everything from concept to music selection and final cleanup. The reel ended up playing a key role in shaping their social media identity.
DUNKIN' CASESTUDY
Sizzle Reel for Artist Equity
Motion Designer
After Effects, Illustrator, Photoshop
Artist Equity launched a Super Bowl ad starring Sabrina Carpenter. After their massive success, my team was tasked with compiling the metrics and data into a sizzle reel. To elevate the project, we incorporated Sabrina Carpenter’s Dunkin’ branding into custom graphics, aligning with the ad’s visual style. The final sizzle not only highlighted the key data but also enhanced the overall feel. This sizzle emblemizes the flare that brings a video to the next level with good design.
LEZGO ENERGY
PERSONAL PROJECT
Motion Designer
After Effects, Photosshop, Illustrator, Blender
This project started as a way to get familiar with the workflow I’d be using for an upcoming Smirnoff Ice campaign. I focused on working with 3D cans—learning how to build effective lighting rigs, fine-tune compositing, run particle simulations, and explore type treatments. For LezGo, I created a full mock brand ad from the ground up: logo design, 3D modeling, slogan development, editing, and final compositing. The finished spot not only helped solidify my process but also gave me a strong piece that set the ball rolling for future work.
HEY HUN
Scout Productions - Sizzle
Motion Designer
After Effects, Illustrator, Photoshop
For the show pitch requested by Scout Productions, I put together a sizzle GFX package in calibration with an editing team . I created title cards and several graphics that flow well with the overall concept, setting the stage for the pre-production process and the final packaging of the pitch deck.
MAXIM INFLUENCER
Sizzle Reel
Motion Designer
After Effects, Photoshop
For this project, I was given free rein over the graphic direction. After seeing the cut, I knew it had to be kinetic and full of energy. I put together a mood board pulling from their social media, website, and even competitor magazines to get a feel for their brand.
I combined all of that to create something that Maxim loved; “no notes” was the feedback. It was a really fun project, and I enjoyed the creative freedom to bring it all together.
L.A. COUNTY
HOLIDAY CELEBRATION
LIVE AND PRERECORDED EVENT
Motion Designer
After Effects, Illustrator, Blender
This event gave me the chance to pull from my experience with live broadcasts and motion design to create a full graphics package for both video and the main stage. I was given set schematics and visual references, and from there, I built out everything from lower thirds and transitions to looping background graphics. All designed to match the show’s overall motif. While the number of deliverables wasn’t as large as some of my past projects, I handled the brunt of the responsibility for the design elements and deliverables.
PERSONAL WORK
I’ve always felt that some of the most valuable work comes from the stuff you make on your own. No rules, just experimenting; trying new styles, testing out effects, seeing what works and what doesn’t. That kind of hands-on process helps me grow and figure out what I actually like making.
It also gives people a better look at the kind of work I’m drawn to as a designer and an artist. These are a few pieces I made while following that instinct.
56th NAACP
IMAGE AWARDS
LIVE AND PRERECORDED EVENT
Motion Designer
After Effects, Illustrator, Blender
I led the graphics side of this project from start to finish. The NAACP team provided a base design package from their other events, and I used that to build out a full graphics package tailored for the Image Awards. That meant creating over 100 deliverables and managing several hundred precomps. All with the tight turnaround from TV oriented producers.
What made this manageable was solid planning and a strong organizational system I set up from the start, along with an astounding assistant editor team. I’d worked on this event in previous years, so stepping into a lead role felt natural and well within my skill set. That experience directly helped me handle other large-scale, fast-paced events down the line.
Stills of Motion Graphics and Backgrounds in context.
